Perdizione / Nihtglóm – split

I’ve been finding it hard to nail down exactly what I love so much about this split, but it really tickles me on a level that’s hard to put into words. Coming from obscure New Jersey metal cult Nihil Verum Nisi Mors, this split is at its most basic level a presentation of two anonymous one-man projects of  simple and sinister raw black metal. Though it’s a split, both sides tie together sonically, filling out a package that’s been filling a hole in my listening that I didn’t realize existed.

To start with Perdizione’s side: the whole thing is extremely muffled and distant in the best of ways, pounding its fury through a layer of reverb and separation that gives the project an ethereal feel. The wonderfully simple drums drive along melodic riffs that range from unconventional melodic lines that are almost hard to identify as black metal without the context of the rest of the music to more traditional trem bits, the entire thing being as hypnotizing an affair as I’ve ever heard, whether it’s carrying you through one of the more traditional bits or through the cool solo towards the end of Diavolo Odioso’s side; Perdizione carries you off to a dream, and the darkness of the project, supposedly about Catholic hell, is as rapturous as anything the Catholics ever wanted you to feel about their god.

Nihtglóm’s side immediately stands out as being much more direct in its gloomy attack, with much less distant production and a much more straightforward take on black metal, though it doesn’t suffer at all for it. Another thing that immediately stands out is that the bass is absolutely massive, sometimes playing the rhythm by itself and sometimes playing alongside the melodies, as much at the forefront as the guitar. The melodies that Nihtgenga, author of Nihtglóm’s music, creates are huge and captivating, endlessly catchy for all of their evil. Where Perdizione makes me throw back my head and worship, Nihtglóm makes me move it, as his side of the split is much more aggressive, marking a perfect counterpart to the dreaminess of the first half of the tape. Tasteful drumming ranges from blistering double bass to laid back single beats, carrying listeners to the depths of the cold night.

I’m really hoping to hear more from these two, because this tape has really blown me away, and left me with a deep craving for more.







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